Good God, I am Will Riker! LOL!

I took a silly test and found out I am Will Riker. Wierd!

Your results:
You are Will Riker

Will Riker
50%
James T. Kirk (Captain)
50%
Jean-Luc Picard
45%
Worf
40%
Data
37%
Leonard McCoy (Bones)
35%
Uhura
35%
Deanna Troi
30%
Geordi LaForge
30%
Chekov
30%
Beverly Crusher
30%
Spock
29%
Mr. Sulu
25%
An Expendable Character (Redshirt)
20%
Mr. Scott
15%
At times you are self-centered
but you have many friends.
You love many women, but the right
woman could get you to settle down.


Click here to take the “Which Star Trek character am I?” quiz…

Getting zonked out every 24 hours

Been very busy with lots of things.

My schedule just fills up as quickly as toilet cistern. Whenever it is empty something just fills it out without asking. One of the madness that is currently consuming my wife and I in our toilet cistern life is our addition to the TV series “24”.

We’ve been watching the seasons 1 to 4 on DVD. Can’t really bother with the free-to-air Astro broadcasting because –

  1. i keep forgetting the schedules
  2. i cannot commit my time to the scheduled airing times
  3. one week is too long to wait for the next episode
  4. if I miss one episode, I’d be frustrated
  5. censorship

The thing about 24 is the pacing is incredibly taut. Excellent stuff. Each episode ends with a cliff hanger, and the speed the story moves is frantic. Imagine getting home from work at 9 or 10pm and catching 2 or 3 episodes a night. I wake up in the morning like a zombie.

It doesn’t help that work is sometimes equally mad… like meetings that start at 0830hrs and end at 2130hrs!

Nostalgia Anime! Blocker Corp Machine Blaster

Was watching some cartoons with my kids this evening and the subject of giant robots came up. Told my son that when I was a kid my first giant robot series that I saw was Blocker Corp Machine Blaster (1976). I found the website which brought waves of nostalgia. I was around 8 years old at the time – about the age of my son now. I remembered as a kid and sharing with my friends in school drawings of the giant robots and stories about the latest episode. This was all just before my family moved to Tokyo -thereby unleashing further waves of anime mania. One of the early anime (anime at wikipedia) that my brothers and I enjoyed as kids were the Time Bokan series which includes Yattaman and its various permutations. Those were hilarious slapstick anime which we enjoyed. And then there was the Dr Slump / Arale series.

Philosophy in sci-fi films

Gattaca Poster

Some of you may know that I am a sci-fi buff. I enjoy sci-fi in all forms be it novels, comicbook / graphic novels, TV series, films or even computer / video games.

Sadly sci-fi stuff are often not that great, and not to mention very rare. So looking for a good sci-fi fix is quite difficult. There are a few sci-fi films which I enjoy both from a story (action) perspective as well as a from a philosophical perspective. Most of the time sci-fis are not action driven (except for the Star Wars types), but mainly philosophically driven.

Take Gattaca (1997) for instance: this is a story about a dystopian future whereby society is structured into castes of genetically perfect people and those who were born from natural conception & reproduction (“faith love”). This questions our need for perfections in our present day society.

In addition to this, the film also asks the question about human courage, dreams and overcoming imperfections. Very important questions I believe. Why do we all limit ourselves to the physical and superficial shell that we live in, as opposed to letting our mind, dreams, belief and spirit guide and drive us beyond our physical limits? This is an excellent film to boost spirits.

Blade Runner film poster

Then there is the Ridley Scott directed Blade Runner (1982) which explores the meaning of being human in the context of a future where cyborgs (artificial people) are almost indistinguishable from real humans apart from their physical strength and delibrately limited lifespan. In Blade Runner, the cyborgs -or replicants- emote feelings of love, hate, anger, fear and all very human feelings. Their anger is most directed to their human creators for dictating their 4 year lifespan. On the other side, these replicants question the heartless of their human creators for creating them with all these feelings (some do not even know they are replicants), yet deem them appropriate to be terminated / extinguished. So the question is what really makes us humans? The film was based on Phillip K Dick’s book “Do Androids Dream of Electric Sheep?“. Blade Runner was not a box office success in its time but since then has garnered an important and influential (also visionary) status in the sci-fi & film world.

The theme of humanity also runs through other films such as Steven Spielberg’s “A.I.” and “Bicentennial Man (1999)” starring Robin Williams and based on Isaac Asimov’s novella of the same title. These two films explored the classic story of Pinnochio about the robots’ (in these cases) quests to be more human and loved as a human being. The impact of these films were not that major given that the themes centred around love & (in)animate human creations which has been done several times over. The difference in Blade Runner was that Blade Runner explored a wider range of human emotions and even questions our own humanity. Still, the likes of AI and Bicentennial Man still poses a very interesting question about love and life.

Another twist to computers / robots achieving scentience is in Stanley Kubrick’s film 2001: A Space Odyssey (1968). The film was famous for the malfunctioning computer HAL 9000 which decided it was important to kill the human beings in order to protect itself and fulfill its mission directives.

Then there are other types of sci-fi that explores the meaning of life and reality. Films such as Dark City and The Thirteenth Floor (1999) (Rotten Tomato reviews) and to a very small extent, The Truman Show (not sci-fi, though) goes to ask the question whether our lives are a stage show or the real thing (existentialism). These are interesting concepts and allows science to fuse with religion. What is there after the end of our lives? Another film that does this unashamedly is The Matrix trilogy which is littered with religious ideas and terminology. The appeal of these films is that it really asks us the question of what lies beyond the Matrix? The scene in the first Matrix film that explains the reason for deja vu (the cat scene) still gives me goosebumps.

Minority Report movie poster

Another concept most often explored in sci-fi is the idea that humankind cannot help from destroying itself. This was the main theme driving the 2004 film I, Robot starring Will Smith. Are we humans incapable of maintaining peace? Certainly in the current early 2000s period this seems to be the case. Even with Asimov’s famed Laws of Robotics, the robots in I, Robot managed to rationalise that for the protection of the greater human race, robots would need to kill a few bad eggs to restore a utopian peace. Are these the same rules that some of the world’s government use in the name of greater peace?

Another aspect of sci-fi films is questioning human moralities such as in “The Island” featuring Ewan McGregor and Scarlett Johansson and The Steven Spielberg directed “Minority Report” starring Tom Cruise. In The Island, the question is asked about the morality of genetic sciences – which is very much a contemporary issue. In Minority Report the subject of crime prevention is explored to point of asking if somebody is guilty before the crime itself is committed?

As ever, sci-fi is all about philosophical questions that we face everyday. And this is the appeal, in my view.

Comics to films – The Watchmen and others

Watchmen Graphic Novel Cover

Many years ago (in 1987), I picked up a graphic novel (comic book) titled “The Watchmen“. Along with Frank Miller’s intepretation of Batman in “The Dark Knight Returns“, Alan Moore’s The Watchmen led me to an interest in comic collection.

The Watchmen is a dark tale of superheroes, governments, war & conspiracy. In a nutshell, superheroes (ie Watchmen) have been outlawed unless they work for the Government. And as is often the case, power corrupts… and superheroes are not exempt from such temptations. All this in the context of a world run by fascist politicians and morally lost superheroes heading towards apocalypse. To a lesser extent, the themes from The Watchmen were even carried over in the recent Disney / Pixar flick “The Incredibles”.

The news that Warner Bros has now obtained the film rights to the Watchmen is exciting. I hope that the translation of one of the most influential comic books of all time to the silver screen would also become one of the most influential films of all time.

This news also fills me with dread that the silverscreen adaption of what is a great piece of work could bomb spectacularly – both critically and financially. To date, we’ve had mixed outcomes from superhero films. The best ones are clearly the first two Spider-man films, and to a certain extent X-Men. I love the work done on Spider-man and it deserves the best comic book film of all time.

The world’s most well known superheroes, Superman and Batman have had mixed outcomes. The recent Batman Begins, I think was a good outcome. One that I believe had mixed reviews was The Hulk. I thought that Director Ang Lee’s technique on The Hulk had some merits and the story was pretty good. However, it was not for everybody and the storyline was pretty standard comic book story. Then there are the bombs like Capt America, The Punisher, Daredevil etc. Sadly, my favourite comic book character Daredevil had been poorly adapted to the screen.

Daredevil, in my mind has all the ingredients for a great screen character. Miller’s run on the book and especially the “Born Again” saga, the “Elektra” books and subsequent limited issue runs on Daredevil. Then there is also the recent Marvel Knights treatment of Daredevil which I believe is doing fine.

So I look forward to The Watchmen film and hope that it will be a strong critical and box office success.